the Lit Twit: a poetry campaign on Twitter

So ima gonna tweet once a weekday for a month; see if I can’t blow out or up a decent tune about poetry.

To date, I have only used Twitter as a supplementary tool to my blog.  But no longer!  The bird will take centre-stage on September 4, marking the beginning of a little poetry campaign through Twitter.  I’ve renamed my Twitter account to the Lit Twit in honour of the campaign.  During the Lit Twit campaign, I will tweet a couple lines of poetry (classical, contemporary and obscure), ending each week with the persistent question: Why do We Read / Write Poetry?  A question that is open to anybody’s answer.

Let’s face it, Twitter is pretty severe for writers.  WORDY writers, if that’s what you want to call me.  140 character limit?  Why bother?  Was my common thought.

But you know what I’ve learned to love about this limitation?  I can amplify a piece of poetry that would not have nearly the same volume within the body of a larger whole.  In fact, an isolated line of poetry in the frame of a tweet becomes almost like a visual message.

Poems tend to literally look a lot alike – a column with the right side in a waving line if you don’t justify your text.  The longer and denser the poem, the more it looks like nothing more than a big column, never mind the text.  And quite honestly, since I have a generational sickness of a short attention span, I am less inclined to dig in when poetry looks like that.

I chipped off a piece of a big marble column and presented that instead of the whole column it would certainly have a more unique shape and the size would be less daunting.  That piece’s texture and particular veins might become more striking by this isolation.  A small piece of poetry can often feel very big.

And it’s not like a haiku.  I’ve cut a piece of poetry out of a larger whole.   The places where I cut enhance the viewer/reader experience, especially if you stop to imagine what the rest of the column must have looked like; what the rest of the poem might have been saying.

All the living and at large poets who have granted me permission to recreate their poetry on Youtube have also granted permission to quote their work during this campaign.  George Elliott Clarke, the Parliamentary Poet Laureate of Canada, included.  We affectionately tweet him as GEC.  I want to publicly thank him again for being so supportive.  And the pieces that I struck from his larger poems, are really going to sing as tweets.

During this campaign, I’m also going to share my love for some masterful poets that until a few years ago were unknown to me.

Do you know Adunis?  Aka Alī Aḥmad Saʿīd ‘Isbar?  Can’t believe I stumbled upon one of his poems by accident a couple of years ago and he could have easily gone unnoticed my whole life.  Today, I am a large and growing fan.  It amazes me how his work can be both simple and complex at the same time.  His poetry feels alive and moving.  Flows like thoughts from my own head but shares, clearly, somebody else’s experience.

And Mr. Gerard Manley Hopkins?  Spellbinder. That’s what I call him.  Read Windhover loud and out loud and, hopefully, you get something of what I did from that poem.  Can’t believe I’d never read his work until a few years ago as well.

So, some classical, some ‘obscure’ (to me anyway), some contemporary and some GEC all in a month of poetweeting.

If you are into Twitter and poetry, or think you could be, please find this campaign at #LillianYWong (aka the Lit Twit) starting September 4!

© lyw

light bulb image c/o Alvaro Serrano at Unsplash.com

Links to the works of some of our campaign’s featured poets:

A Poet’s Words Pressed through a Tube Named lyw

https://sabiscuit.wordpress.com/WordPress allows me to subscribe to one artist’s journey the way traditional forms of publishing never did.   I am always comparing, because I am still always amazed, at how different the literary world is from just twenty years ago.

Today, I launch two new poetry videos on the lyw YouTube channel, because a WordPress poet and artist allowed me to play with some of the work on her site which I had admired.

SB is a poet and artist on WordPress at Sabiscuit.wordpress.com.  You’d think that I would be less interested in making a video of poetry that was not my own.  It’s actually a very creative and engaging process to make them.  The research and development of these videos open me to new ideas for my own creative writing.  The David et Goliath video-poem has some bright celestial punch to it and is nicely counter-balanced by the softer and quieter video-poem, Luminous.  These videos feature a writer and an artist who has a talent for working with the different shades that can happen with light.

Please check out the links to these videos at the bottom of this blog, and let’s let the work speak for itself.

This opportunity to work with another writer’s poetry is very unique to my current literary climate. Most of the real books (as in not e-books) in my personal library are of great masters whose human bodies have long since passed on or, they are writers who I could never imagine writing back to me if I had a question about their work.  I will most likely never have direct contact with them.  I will most likely never have access to their daily, personal thoughts as writers or human beings.  My impressions of these writers remain as theories in my head.  This is a good thing, in many ways. For one, eventually, I learned to answer some of those questions myself thereby truly making these writers’ novels and poetry my own — as a reader.  There is a lot of value in giving myself that time to be immersed in another’s artwork.

However, this WordPress/social media thing does something for writers that I believe may be historical, at least to my creative writing world.  Not only are creative writers given more power to be their own ‘companies’, make their names their brands, but we do this by showing how human and individual we are as artists.  Twenty years ago self-publishing was either an act of desperation or that of a hobbyist.  Writing on a day-to-day personal level, as bloggers often do, would not have been deemed professional. Bloggers would have probably been classified as self-publishing columnists back in my day.  Today, social media allows writers to develop an unique kind of relationship with their readership, one that can be both social and professional.   On this plane, writers present themselves as humans, just like everyone else.

Well, of course, writers are humans, you might say.  And I would tell you that it was a popular way to think, when and where I was a wee lass, that writers, as people who were trying to be true observers of life, were isolated and different from the rest of society.  Either we were too brilliant or too spaced out from observation to fit well with the rest of society  The fact is that we have had some amazing writers in our human history who have had the wisdom and foresight to fit the more flattering version of that persona. However, there is a more heart-warming connection to those great writers when I allow myself to observe, even in the most brilliant of them, their beautiful human flaws.

Writers on social media, such as SB, present literature and art that is accessible, responsive and actively part of everyday life.  When we think of writers like that, I think, this will go a long way to make fiction and the literary market more accessible in popular media.

These are new lit thoughts for me and I thank you for letting me share my chew on them through this blog.  I’m not quite sure about them and am curious to see how they will evolve with time.

Here are those video links that I mentioned earlier.  I hope you enjoy them:

David et Goliath – a poem by SB:

Luminous – a poem by SB:

© lyw